Contents
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William Coulter's The Road Home represents his first truly solo
recording since he began exploring Celtic music over twenty years ago.
This rich and eclectic collection features tunes from Ireland,
Brittany, Norway, Portugal and America, as well as several original
compositions. The Road Home includes gems such as a solo guitar
arrangement of Neil Young's After the Gold Rush and a unique arrangement of the timeless melody, Amazing Grace.
William also presents performances of the exquisite guitar composition Pastorale, and the lovely lullaby waltz, The Road Home.
This elegant collection is a personal offering of beautiful music
performed by one of the world's finest acoustic guitarists.
Traditional and original works for two guitars. William Coulter and Benjamin Verdery.
On
their first full CD together, these two virtuosos of string space take
us on a journey made of songs and spirit, steel and nylon, intricate
strands and braids of sound. They call it SONG FOR OUR ANCESTORS, which
I believe can refer to more than one kind of kinship. There are family
lines, and there are musical lines. Many ancestries and influences
converge in these twelve pieces from Ireland, from Germany, from Spain,
Africa, and Tibet. Two were composed by the musicians themselves, and
are recorded here for the first time. Coulter's "An Daingean", was
written for a seacoast town in the southwest of Ireland. He wrote the
piece to celebrate his brother's wedding there and the rare beauties of
that place. Ben Verdery's "Keanae", was inspired by a remote peninsula
on the Hawaiian island of Maui. -- Excerpt from IN STRING SPACE ©2001, by James D. Houston, Santa Cruz, CA --
Following
up on the success of his previous recordings, Celtic Crossing and
Celtic Sessions, William Coulter once again draws from the rich
repertoire of airs and dances from Scotland and Ireland for this latest
recording. Along with traditional works, Coulter has also selected a
number of contemporary compositions for this recording, including a
wonderful duet with concertina master Alistair Anderson on Anderson's
"Dog Leap Stairs." Coulter is joined on two tracks by virtuoso
classical guitarist Benjamin Verdery. Together they perform the Sean
Ó Riada classic, "Women of Ireland" and the beautiful Turlogh
Ó Carolan air, "Elanor Plunkett." The result is a lyrical,
emotional and enchanting listening experience. Other guest artists on The Crooked Road include
cellist Barry Phillips, Shelley Phillips on oboe and English horn, Lars
Johannesson on flute, fiddler Deby Benton Grosjean, Neal Hellman on
dulcimer, uilleann piper Todd Denman, Muireánn Nic
Amhláoibh on whistle and flute, and pianist Paul Machlis.
William Coulter follows up his popular Celtic Crossing with his latest recording Celtic Sessions.
His
distinctive guitar style has been a mainstay on many Gourd recordings.
With cellist Barry Phillips, William has recorded three highly
acclaimed recordings of traditional Shaker melodies, Simple Gifts, Tree
of Life, and Music on the Mountain. His work has been heard on four of
the Narada Celtic Samplers as well as a hearts of Space collection of
Celtic Lullabies. On his latest recording he is joined by a
talented cast of players which include : Martin Hayes and Alasdair on
fiddle, Seamus Egan on flute and 4-string banjo, Todd Denman on
uilleann pipes as well as his long time musical friends Barry and
Shelley Phillips, Lars Johannesson, Paul Machlis, Theo Page and Neal
Hellman. "The sounds on this album are pristine; it is
beautifully recorded, capturing a range of nuances and gentle moods
that are rarely heard on recordings of Celtic music. The arrangements
are mostly contemporary, the content traditional and above all else it
is musically expressive in a way that helps to redefine the place of
the guitar in Celtic Music." - Martin Hayes
Thousands
of miles away in America, William Coulter fell in love with the music
and language that came over the sea from the beautiful land of Ireland.
His interpretations of these jigs, reels and airs reflect his deep
reverence for tradition, along with his unique creative response as an
individual musician - hurrah for the folk process! Joined by guests
including Shelley and Barry Phillips, Irish fiddler extraordinaire
Kevin Burke and others, the tunes include beloved traditionals The Lark
in the Morning, Si bheag, Si mhor, Banish Misfortune, Lagan Love, The
Kesh Jig and Return to Fingal. You'll also find unexpected treasures
including the lullaby Einini*, Ay Linda Amiga from Celtic Spain, and
the Victorian Marble Halls. *Featured on the Narada Sampler Celtic Legacy.
Completing
the trilogy begun with Simple Gifts and Tree of Life, here is another
collection of the dances, hymns and marches which were part of the
Shakers' everyday lives and worship. Barry Phillips and William
Coulter, once again join forces with longtime musical friends Shelley
Phillips, Mike Marshall, Robin Petrie, Lars Johannesson, Laurie Hart,
Neal Hellman and others in these lovingly arranged melodies. The moods on Music on the Mountain, as on its
predecessors, range from solemn to joyous; from exuberant to profoundly
peaceful -- and underlying all are the fundamental Shaker ideals of
simplicity and reverent humility. Like its companion albums, Music on
the Mountain is filled with music to cheer the heart and lift the
spirit.
If
you love Simple Gifts, you'll be delighted with this companion album.
The Shakers believed that music and dance were gifts received from
blessed spirits, and celebrated their innermost spiritual revelations
with song. Once more, Barry Phillips, William Coulter and company join
forces to revive the Shakers' stirring and joyful music. Here again is an anthology to cherish: a
perfectly choreographed sequence of lovely melodies, upbeat dance tunes
and heartfelt hymns. Both albums offer informative liner notes on each
song, essays on the Shaker movement, and suggest reading to provide
listeners with background information and sources on this fascinating
material.
Exhuberant
dance tunes, lively marches and reverent hymns were part of the daily
lives and worship of the Shakers, who flourished in mid-19th century
America. Like their highly-prized crafts, the Shakers' music was an
outward expression of their faith and celebrated their ideals of
simplicity and love. Barry Phillips and William Coulter, along with
guest artists Shelley Phillips, Mike Marshall, Robin Petrie and others,
create exquisite blends of guitar, cello, fiddle, mandolin, flute, harp
and dulcimers. From the title track (made famous by Aaron Copland in
Appalachian Spring) to little-known gems from the Shakers' vast
treasury of song, these are melodies born directly of the Shakers'
spiritual life, yet deeply rooted in the Anglo-American folk tradition
- music to cheer the heart and lift the spirit.
Exuberant
dance tunes, lively marches, and reverent hymns were part of the daily
lives and worship of the Shakers, who flourished in mid-19th century
America. Like their highly-prized crafts, the Shakers'
music was an outward expression of their faith and celebrated their
ideals of simplicity and love. From the title track (made famous by Aaron
Copland in Appalachian Spring) to little-known gems from the Shakers'
vast treasury of song, these are melodies born directly of the Shakers'
spiritual life, yet deeply rooted in the Anglo-American folk tradition
- music to cheer the heart and lift the spirit. This collection contains over 64 shaker compositions and features the talents of:
- William Coulter (guitars)
- Barry Phillips (cello, psaltry, mandola,
- harmonium, and percussion)
- Mike Marshall (mandolin & fiddle)
- Shelley Phillips (oboe, English horn & harp)
- Robin Petrie (hammered dulcimer)
- Kaila Flexer (violin)
- Esther Landau (flute)
- Lars Johannesson (wooden & silver flute)
- Neal Hellman (mountain dulcimer)
- Laurie Hart (fiddle)
- Deby Benton Grosjean (fiddle).
The
box set also features a beautiful rendition of the Shaker spirit
drawing (Fruit Bearing Tree) by self-taught folk artist J. D. Logan.
Five
San Francisco Bay instrumentalists take the name Orison from the
old-fashioned word for prayer or invocation (see Hamlet, III, i). They
are: Barry Phillips, Shelley Phillips, William Coulter, Steve Coulter
and Anne Cleveland, whose repertoire includes music from both the folk
and classical traditions (The Butterfly*, Arran Boat Song, The Maids of
Mitchelston, The Water Kilpie, Morgan Megan and more), along with
original compositions. Their combinations of harp, guitar, cello, oboe,
English horn, flute and percussion produce textures of etheral and
poignant beauty. *Featured on the Narada Sampler Celtic Odyssey.
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